{"id":432,"date":"2013-05-20T13:25:45","date_gmt":"2013-05-20T13:25:45","guid":{"rendered":"http:\/\/paulmaheke.com\/projets\/?page_id=432"},"modified":"2026-03-17T15:57:16","modified_gmt":"2026-03-17T15:57:16","slug":"cv","status":"publish","type":"page","link":"http:\/\/paulmaheke.com\/projets\/cv","title":{"rendered":"CV"},"content":{"rendered":"\n

Paul Maheke<\/strong> (1985, Brive-la-Gaillarde, France)
represented by Galerie Sultana<\/a> <\/p>\n\n\n\n

__<\/p>\n\n\n\n

<\/p>\n\n\n\n

2026<\/strong><\/p>\n\n\n\n

HERE, Smithsonian National Museum Of African Art, Washington (DC), USA
Paul Maheke: The rise, Horst art + music, Brussels, BE
To be is to be in relation, fondazione giuliani, Roma, IT
Conversation pieces XI, Fondazione memmo, Roma, IT
Pleasing the spirits, mus\u00e9e barbier-mueller, geneva, ch
_
Fellow VILLA MEDICI 2025-2026, Rome, IT
artist-in-residence Amant, Fall 2026, New York, USA


2025<\/strong><\/p>\n\n\n\n

Solo presentations<\/span>
<\/strong>In spite of my own desire to see you disappear,
SouthERN Alberta Art Gallery, Letherbridge, CA<\/p>\n\n\n\n

group shows<\/span>
Faire corps, fondation herm\u00e8s, tokyo, JP
L’acad\u00e9mie des mutantes, CAPC, Bordeaux, FR
Material Worlds: Contemporary Artists and Textiles,
Hayward Gallery Touring, UK
Valediction, Centre CLARK, Montr\u00e9al, CA
Le Mus\u00e9e imaginaire d’Oli, Les Abattoirs, Toulouse, FR
THE CYNICS REPUBLIC, Palais de Tokyo, Paris, FR
Bassement Assembly Art Biennial x CRC, Basement, Roma, IT
Yvonne rainer: a reader, crac Occitanie, s\u00e8te, FR
AGM 2025, Somerset house, london, UK

2024<\/strong><\/p>\n\n\n\n

*laureate of the 2024 Fondation Pernod Ricard Prize*<\/p>\n\n\n\n

<\/p>\n\n\n\n

solo presentations
<\/span>In spite of my own desire to see you disappear,
Mercer Union, Toronto, CA
Vert p\u00e9trit d’eau, Sultana, Paris, FR
To Be Blindly Hopeful, Mostyn, Llandudno, Wales, UK<\/p>\n\n\n\n

group shows<\/span>
Politics of Light: Nikita Gale, Paul Maheke, Felix Gonzalez-Torres, Tate Modern, UK
15th Bienal de la Habana: Shared Horizons, Cuba
Correspondances. Lire Angelia Davis, Audre Lore, Toni Morrison, Cr\u00e9dac, Ivry, fr
Seven Gravity collection, Recontemporary, Turin, IT
Drawing Biennial 2024, Drawing Room, London, UK
All the messages are emotional, Fondation pernod ricard, Paris
CORPS, Espace Culturel Fran\u00e7ois Mitterand, P\u00e9rigueux, FR
When I state That I am an Anarchist, Museum Modern Art Warsaw
Permanent collection display, Tate Britain, London, UK

<\/p>\n\n\n\n

2023<\/strong>
*Artist-in-residence Villa Albertine, Chicago, USA*<\/p>\n\n\n\n

<\/p>\n\n\n\n

solo presentations
<\/span>The Purple Chamber,<\/span> Fondazione Arnaldo Pomodoro, Milan, IT
Ancestral Musing, Goodman Gallery, London, UK
The Origin of Death, Lafayette Anticipations &
Le Festival d’Automne, Paris (performance)
S\u00e8nsa in collab. with Nkisi & Ariel Efraim Ashbel, HAU,
Berlin, DE (performance)
The Origin of Death, Astrup Fearnley Museet,
Oslo, NO (performance)<\/p>\n\n\n\n

<\/p>\n\n\n\n

group shows<\/span>
Permanent collection display, Tate Britain, London, UK
Shifted Realities, Galerie Rudolfinum, Prague CZ
I see no difference between a handshake and a poem, Mendes Wood Paris, FR
Soleil Triste : La biennale du Territoire, MO.CO, Montpellier, FR
De leur temps (7), Frac Grand-Large, Dunkerque, FR
Le lac inconnu, Fondation Bally, Lugano, CH
The Difficult Art of Taking a Walk, CCA Berlin, DE
Common Place, g39, Cardiff, UK<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

2022<\/strong><\/p>\n\n\n\n

solo presentations
<\/span>We took a sip from the devil’s cup, Project Arts Centre, Dublin, IE
As The Days Move Into Nights, Diagonale, Montr\u00e9al (QC), CA
You & I, Kunsthalle Bratislava, SK
A fire circle for a public hearing, High Line,
New York City, USA (performance)<\/p>\n\n\n\n

<\/p>\n\n\n\n

group shows<\/span>
British Art Show 9, UK
Testament, Goldsmiths CCA, London, UK
Atlante Tempraneo, Fondazione Imago Mundi, Treviso, IT
Optical Alignment, MDT, Stockholm, SE (performance)
<\/strong>When I State That I am An Anarchist, PLATO Ostrava, CZ
Bang Bang, Mus\u00e9e Tinguely, Basel, CH (performance)
Temporary Atlas, MOSTYN, UK
Hypernuit, Frac Nouvelle-Aquitaine M\u00c9CA, Bordeaux, FR
<\/strong>Breaking Waters, CAC Cincinnati, USA
A different now is close enough to exhale on you,
Goodman Gallery, Johannesburg and Cape Town, ZA<\/p>\n\n\n\n


2021<\/strong><\/p>\n\n\n\n

*Shortlisted Future Generation Art Prize 2021*

solo presentations<\/span>
Vanille Bleue, Goodman Gallery, Johannesburg, ZA
Taboo Durag, The Renaissance Society, Chicago, USA (performance)
Page Not Found, Den Haag, NL
Taboo Durag, The Roberts Art Institute & Glasgow International, UK (performance)
The Mauve Hour, Sultana Summer Set, Arles, FR
S\u00e8nsa, Bourse de Commerce – Collection Pinault, Paris, FR (performance)<\/p>\n\n\n\n

<\/p>\n\n\n\n

group shows<\/span>
Future Generation Art Prize 2021, PinchukArt Centre, Kyiv, UA
British Art Show 9, curated by Irene Aristiz\u00e1bal and Hammad Nasar<\/span>
An apology, a pill, a ritual, a resistance, Remai Modern, Saskatoon, CA
Claro del Bosque, Intersticio, Madrid, SP
(in)Visible, Malm\u00f6 Konstmuseum, SE
Songs to the Suns, Cabaret Voltaire x Monte Verit\u00e0, Ascona, CH
Afterness, Artangel London, UK

<\/span>2020<\/strong><\/p>\n\n\n\n

*PACT Zollverein Guest Fellowship 2020-2021*<\/p>\n\n\n\n

<\/p>\n\n\n\n

group shows<\/span>
Crystal Clear, Pera Museum, Istanbul, TU
La vie des tables, Cr\u00e9dac, Ivry-sur-Seine, FR
Yesn’t, Galerie Sultana, Paris, FR
Miami Art Basel, Galerie Sultana
I Like Them, They’re Nice, Nir Altman gallery, Munich, DE
La pleine lune dort la nuit, Mus\u00e9e d’art contemporain de Rochechouart, FR
ACE Open x Recess Presents<\/a>, AU (online)
La Clinique du Queer, cur. Thomas Conchou, Maison Populaire, Montreuil, FR
The Spectral Forest, Nida Art Colony, Nida, LT
Poss\u00e9d\u00e9.e.s, MO.CO, Montpellier, FR<\/p>\n\n\n\n

<\/p>\n\n\n\n

In print<\/span>
The year I stopped making art, UK\/FR\/MX\/IT\/CA\/PL\/USA
\u00c0 tes eaux de nouveau, X-TRA Magazine, USA
SDUK 07: Tilting 1, Blackwood Gallery, CA
Nothing Gentle Will Remain<\/a>, RCA Curating x OSE, London\/Margate, UK (online)<\/p>\n\n\n\n

<\/p>\n\n\n\n

2019<\/strong><\/p>\n\n\n\n

*Shortlisted for the 2019 Fondation Pernod Ricard Prize*<\/p>\n\n\n\n

<\/p>\n\n\n\n

solo shows<\/span>
A fire circle for a public hearing, Vleeshal, Middelburg, NL
OOLOI, Triangle France, Marseille, FR
Diable blanc, Galerie Sultana, Paris, FR
Levant, Ludlow38, NYC
S\u00e8nsa, in collab. with Nkisi and Ariel Efraim Ashbel, Performa 19, Abrons Arts Center, NYC<\/p>\n\n\n\n

<\/p>\n\n\n\n

group shows and performances<\/span>
<\/span>Meetings on Art, performance program of the 58th Venice Biennale, IT
Transcorporealities, cur. Leonie Radine, Museum Ludwig, Cologne, DE
Le fil d’alerte, Fondation d’entreprise Ricard, Paris, FR
5th Block Universe Festival, London
The Distance is Nowhere, ICA Miami, Miami (performance in collab. with Sophie Mallett)
Get Up, Stand Up, cur. Zak Ov\u00e9 + Ceri Hand, Somerset House, London, UK
Elements of Vogue, Museo del Chopo, Mexico, MX
Soft Architectures, GOODMAN Gallery, Cape Town, SA<\/p>\n\n\n\n

<\/p>\n\n\n\n

2018<\/strong><\/p>\n\n\n\n

solo shows<\/span>
A fire circle for a public hearing, Chisenhale Gallery, London, UK
Letter to a Barn Owl, Kevin Space, Vienna, AT
Dans l’\u00e9ther, l\u00e0, ou l’eau, 6th Biennale de Rennes, Galerie Art & Essai, FR<\/p>\n\n\n\n

<\/p>\n\n\n\n

group shows and performances<\/span>
Manifest 12: Interspecies Public Programme, Palermo, IT
Move, Centre Pompidou, Paris, FR
Baltic Triennial 13: Give Up the Ghost, Tallinn Art Hall,<\/span> EE
Le centre ne peut tenir, Lafayette Anticipations, Paris, FR
<\/span>Kunstenfestivaldesarts, Charleroi Danse, Brussels, BE
<\/span>Body Ecologies, Fluent at Centro Bot\u00edn, Santander, SP
Repeats (figures & infrastructures), Sixty Eight Institute, Copenhagen, DE
SHIFT, like the end and the way, Royal College of Art, London, UK
6th Biennale de Rennes, FR<\/p>\n\n\n\n

<\/p>\n\n\n\n

2017<\/strong><\/p>\n\n\n\n

solo shows<\/span>
Acqua Alta, Galerie Sultana, Paris, FR
What Flows Through and Across, Assembly Point, London, UK
In Me Everything is Already Flowing, Center, Berlin, DE<\/p>\n\n\n\n

<\/p>\n\n\n\n

group shows and performances<\/span>
Ten Days Six Nights, cur. Catherine Wood and Andrea Lissoni, Tate Modern, UK
Diaspora Pavilion, cur. David A. Bailey, during 57th Venice Biennale, IT
artist-in-residence, Palais de Tokyo, Paris, FR
Frieze London, Galerie Sultana, London, UK
Elements of Vogue, cur. Sabel Gavaldon + Manuel Segade, CA2M, Madrid, SP
(X) A Fantasy, David Roberts Art Foundation, London, UK
Scamming, Plazzo Lancia, Turin, IT
Partitions Performances, Fondation Ricard, Paris, FR
A Gesture Towards Transformation, Tenderpixel, London, UK
Klub Fiesta, Plato, Ostrava, CZ
Posthuman Complicities, Akademie der K\u00fcnste, Vienna, AT
La Pens\u00e9e du Tremblement, cur. Diam\u00e8tre, YGREC, Paris, FR
Opaque Poetics, Music Festival cur. Nkisi,
Wysing Arts Centre, Cambridge, UK
The problem with having a body \/ is that it always needs
to be somewhere, The Approach, London, UK
Habits of Care, cur. Helena Reckitt, Blackwood Gallery, Toronto, CA<\/p>\n\n\n\n

2016<\/strong><\/p>\n\n\n\n

solo shows
<\/span>I Lost Track of the Swarm, South London Gallery, London, UK
Green Ray Turns Out To Be Mauve, Green Ray, London, UK<\/p>\n\n\n\n

<\/p>\n\n\n\n

group shows and performances
<\/span>No Ordinary Love, Sultana Gallery, Paris, FR
Paul Maheke: Unwritten Handbook, The Serpentine Galleries, London, UK (artist talk)
Ways of Living, cur. Arcadia Missa + @ Gaybar, David Roberts Art Foundation, London, UK (performance)
High Arousal, cur. Jonathan P. Watts, hosted at Union Pacific, London, UK
Hypersea, in collab. with Sophie Mallett, Turner Contemporary, Margate, UK (performance)
As Far As You Are Unconcerned, cur. Brenda Guesnet, The Showroom, London, UK (performance)
slope-tend-big, invit. Mathew Parkin, Grand Union, Birmingham, UK
And Then We Came, cur. W. Giovanni Gonzales, The White Cubicle (duo show w\/ Vika Kirchenbauer)
Lock Eyes and Bare with Me, invit. Bedfellows, Tate Modern, London, UK (performance)
Festival de l’Inattention, cur. Sophie Lapalu, Glassbox, Paris, FR
I Would Have Done Everything for You\/Gimme More, cur. C\u00e9dric Fauq, London, UK
Tableaux: a season of screenings and performances, Assembly Point, London, UK
HOWDY CHICAGO, cur. Filip Zezovski Lind + Joss Heierli, Royal College of Art Shuttle, London, UK
SQUAD, night of performance, cur. Paul Maheke+Nkisi+C\u00e9dric Fauq, South London Gallery, London, UK
A Gesture Towards Transformation, The Rebel Man Standard Festival, London, UK (performance)<\/p>\n\n\n\n

2015<\/strong>
Ruptures in Places, cur. Katy Orkisz, Association of British Insurers, London, UK
Agenda Salad, Open School East finale week, London, UK
A Night with Nkisi, a listening session\/talk with Nkisi (NON Worldwide<\/a>) about resisting power relationships operating at the intersection of class, race and gender in the music industry, Open School East, London, UK
Artist talk Dissections: Yinka Shonibare<\/a>, DHC\/ART, Montreal (QC), Canada
Resistance Is In The Cracks: a circular talk with Fannie Sosa<\/a>, Open School East, London, UK
Residency with Open School East Associates, CAST, Helston, UK
ODRADEK, Les Instants Chavir\u00e9s, cur. Mikaela Assolent + Flora Katz, Montreuil, France
Beyond Beyonc\u00e9: Use it like a bumper! a public conversation about Black feminism and Hip-Hop cultures, Open School East, London, UK
Moving-Up, commissioned by The Serpentine Galleries, London, UK
Artist-in-residence at Fonderie Darling in duo with Alice Didier Champagne<\/a>, Montreal (QC), Canada
Parti(e) du Paysage, cur. Simon Cau, Simon Cau Gallery hosted by 60th Salon de Montrouge, France
Artist talk Proposal to form a group of domestic poets, Le 116, Montreuil, France<\/p>\n\n\n\n

2014<\/strong>
Re-former le monde visible, Le 116, cur. Marl\u00e8ne Rigler, Montreuil, France
Festival of minimal actions, cur. Thomas Geiger, Bruxelles, Belgique
Paysage Sauvage \/ Wilderness, Les Banquets du Ch\u00e2teau, cur. Marianne Lanav\u00e8re, Centre International d’Art et du Paysage – \u00cele de Vassivi\u00e8re, France
59th Salon de Montrouge, France<\/p>\n\n\n\n

2013<\/strong>
VIVA!, Centre CLARK, Montreal, Quebec
Si nous continuons \u00e0 nous parler le m\u00eame langage, nous allons reproduire la m\u00eame histoire, Le Commissariat, Treize, cur. Mikaela Assolent + Flora Katz, Paris, France
Videoakt, French Institute, Barcelona, Spain
Supermarket 2013, LMDP crew, Kulturhuset, Stockholm, Sweden<\/p>\n\n\n\n

2012<\/strong>
\u00abPratiques Furtives\u00bb : fragments d\u2019une enqu\u00eate, cur. Patrice Loubier, Skol art center, Montreal, Quebec<\/p>\n\n\n\n

2011<\/strong>
Domaine Public  with Ultralocal, Pornichet, Loire-Atlantique, France
Mille Feuillets, La Vitrine, Drawing Now Paris I, Paris, France<\/p>\n\n\n\n

<\/p>\n\n\n\n

Residencies
<\/h2>\n\n\n\n

VILLA MEDICI, Rome, 2025-2026
Amant, New York, 2026
Villa Albertine, Chicago, 2023
Acme Fire Station, London, 2020-2021
Nida Art Colony, Lithuania, 2019
Davidoff Arts Initiative, the Dominican Republic, 2018
Palais de Tokyo, Paris, FR, 2017
South London Gallery, UK, 2015 – 2016
TeachBack!, ImPulsTanz, Vienna, AT
Fonderie Darling, Montreal (QC), Canada, 2015
Gateway Academy, commissioned by The Serpentine Galleries, London, UK, 2015
Centre International d’Art et du Paysage, Vassivi\u00e8re, France, 2014
R\u00e9sidence de la Ville de Montrouge, France, 2014
Homsession, Barcelona, Spain, 2012
Villa Pan, Hors les Murs programme, French Institute, Suzhou, China, 2010<\/p>\n\n\n\n

<\/p>\n\n\n\n

Education<\/h2>\n\n\n\n

Open School East, London, UK, 2015
DNSEP (Masters program art practice) \u2014 \u00c9cole nationale sup\u00e9rieure d’arts de Cergy, 2011
DNAP (B.A art practice)  \u2014 \u00c9cole nationale sup\u00e9rieure d’arts de Cergy, 2009
DMA gravure taille-douce (B.A etching)\u2014 \u00c9cole Estienne, Paris, 2007<\/p>\n\n\n\n

<\/p>\n\n\n\n

Public collections<\/h2>\n\n\n\n

Tate, UK
CNAP, FR
Art Council Collection, UK
Liverpool Walker Gallery, UK
Frac Grand Large, Nord-Pas-de-Calais, FR
Frac Nouvelle Aquitaine – M\u00e9ca, FR
Neues Museum N\u00fcrnberg, DE
DeMontford University collection, GB
Fond d’Art Contemporain – Ville de Paris, FR<\/p>\n\n\n\n

<\/p>\n\n\n\n

Grants<\/h2>\n\n\n\n

Thinking Time, 2020
Grants for the Arts, British Art Council, 2019
FNAGP, 2018
Fluxus Fund, 2015 – 2017
Ministry of Culture, ADAGP, City of Montrouge for Salon de Montrouge, 2014<\/p>\n\n\n\n

<\/p>\n\n\n\n

Presse and publications<\/h2>\n\n\n\n

Elevated, Phaidon, 2024
All the messages are emotional, fondation pernod ricard, 2024
Roven 17, 2023
Prime, Phaidon, 2022
British Art Show 9 catalogue, 2021
Fotograf #39, July 2021
Artforum, D\u00e9c. 2021
Balcony Journal, 2021
Wallpaper*, 2021
Poss\u00e9d\u00e9.e.s, MO.CO, 2020
Elements of Vogue, CA2M, 2020
Transcorporealities, Museum Ludwig, 2020
Klima, issue 03
Limbo, issue 01
Num\u00e9ro, Sept. 2020
Wallpaper*, Sept. 2020
Frieze magazine, issue 213, Sept. 2020
X-TRA, Spring 2020
Art and Queer Culture, Phaidon, 2019
Flash Art, Fall 2019
Numero Art, Fall 2019
M – Le Monde, September 2019
Revue 02, Summer 2019
Performance in Contemporary Art, Tate Publishing, 2018
Artforum, April 2018
Mousse Magazine, April-May 2018
Kaleidoscope, April 2018
Revue 02, Summer 2017
Artpress n\u00b0446, 2017
The Perfect School, The Serpentine Galleries, 2017
Agent Double #2, 2016
D’un abandon \u00e0 l’autre, text by Paul Maheke, Inter Art Actuel, Presse du R\u00e9el, 2015
Manuel Fanzine, Parade, 2015
Le Quotidien de l’Art, n\u00b0678, text by C\u00e9dric Aurelle, 2014
59th Salon de Montrouge, exhibition catalogue, text by Daniel Bosser, 2014
Arts Magazine n\u00b087, feature by Fran\u00e7ois Quintin, Paris, France, 2014
We can’t wait for better times, Barcelona, Spain 2013
Manuel #3, Glassbox, Paris, France, 2013
Remedy Paper, Brussel, Belgium, 2012
Speak Word le Journal de la Triennale #3, groupe LMDP, editor in chief Abdellah Karroum, Paris, France, 2012
Les artistes en leur monde III, Marie-Paule N\u00e8gre, 2012
Drawing Now Paris I catalogue, 2011<\/p>\n\n\n\n

 <\/h2>\n\n\n\n

 <\/h2>\n","protected":false},"excerpt":{"rendered":"

Paul Maheke (1985, Brive-la-Gaillarde, France)represented by Galerie Sultana __ 2026 HERE, Smithsonian National Museum Of African Art, Washington (DC), USAPaul Maheke: The rise, Horst art + music, Brussels, BETo be is to be in relation, fondazione giuliani, Roma, ITConversation pieces XI, Fondazione memmo, Roma, ITPleasing the spirits, mus\u00e9e barbier-mueller, geneva, ch_Fellow VILLA MEDICI 2025-2026, Rome, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-432","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P4E7Fe-6Y","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/pages\/432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/comments?post=432"}],"version-history":[{"count":426,"href":"http:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/pages\/432\/revisions"}],"predecessor-version":[{"id":3924,"href":"http:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/pages\/432\/revisions\/3924"}],"wp:attachment":[{"href":"http:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/media?parent=432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}