{"id":432,"date":"2013-05-20T13:25:45","date_gmt":"2013-05-20T13:25:45","guid":{"rendered":"http:\/\/paulmaheke.com\/projets\/?page_id=432"},"modified":"2026-04-29T07:40:59","modified_gmt":"2026-04-29T07:40:59","slug":"cv","status":"publish","type":"page","link":"https:\/\/paulmaheke.com\/projets\/cv","title":{"rendered":"CV"},"content":{"rendered":"\n<p class=\"has-base-color has-text-color has-link-color wp-elements-11aae40556dd76e09f5e6b2c96940cbf\"><strong>Paul Maheke<\/strong> (1985, Brive-la-Gaillarde, France)<br>represented by <a data-type=\"link\" data-id=\"http:\/\/www.galeriesultana.com\/artists\/paul-maheke\" href=\"http:\/\/www.galeriesultana.com\/artists\/paul-maheke\" target=\"_blank\" rel=\"noreferrer noopener\">Galerie Sultana<\/a> <\/p>\n\n\n\n<p>__<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>2026<\/strong><\/p>\n\n\n\n<p>s<span style=\"text-decoration: underline;\">olo presentations<\/span><br>Paul Maheke: The rise, Horst, Vilvoorde, BE<br><br><span style=\"text-decoration: underline\">group shows<\/span><br>HERE, Smithsonian National Museum Of African Art, Washington (DC), USA<br>To be is to be in relation, fondazione giuliani, Roma, IT<br>Conversation pieces XI, Fondazione memmo, Roma, IT<br>Pleasing the spirits, mus\u00e9e barbier-mueller, geneva, ch<br>Le Nouveau printemps : danses interdites, Toulouse, FR<br>Gender stories, Walker Art Gallery, Liverpool, UK<br>Oracoli al di l\u00e0 del mare, Villa medici, Rome, IT<br>_<br>Fellow VILLA MEDICI 2025-2026, Rome, IT<br>artist-in-residence Amant, Fall 2026, New York, USA <br><br><strong><br>2025<\/strong><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">Solo presentations<\/span><strong><br><\/strong>In spite of my own desire to see you disappear,<br>SouthERN Alberta Art Gallery, Letherbridge, CA<\/p>\n\n\n\n<p><span style=\"text-decoration: underline\">group shows<\/span><br>Faire corps, fondation herm\u00e8s, tokyo, JP<br>L&rsquo;acad\u00e9mie des mutantes, CAPC, Bordeaux, FR<br>Material Worlds: Contemporary Artists and Textiles, <br>Hayward Gallery Touring, UK<br>Valediction, Centre CLARK, Montr\u00e9al, CA<br>Le Mus\u00e9e imaginaire d&rsquo;Oli, Les Abattoirs, Toulouse, FR<br>THE CYNICS REPUBLIC, Palais de Tokyo, Paris, FR<br>Bassement Assembly Art Biennial x CRC, Basement, Roma, IT<br>Yvonne rainer: a reader, crac Occitanie, s\u00e8te, FR<br>AGM 2025, Somerset house, london, UK<br><br><strong>2024<\/strong><\/p>\n\n\n\n<p>*laureate of the 2024 Fondation Pernod Ricard Prize*<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">solo presentations<br><\/span>In spite of my own desire to see you disappear, <br>Mercer Union, Toronto, CA<br>Vert p\u00e9trit d&rsquo;eau, Sultana, Paris, FR<br>To Be Blindly Hopeful, Mostyn, Llandudno, Wales, UK<\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">group shows<\/span><br>Politics of Light: Nikita Gale, Paul Maheke, Felix Gonzalez-Torres, Tate Modern, UK<br>15th Bienal de la Habana: Shared Horizons, Cuba<br>Correspondances. Lire Angelia Davis, Audre Lore, Toni Morrison, Cr\u00e9dac, Ivry, fr<br>Seven Gravity collection, Recontemporary, Turin, IT<br>Drawing Biennial 2024, Drawing Room, London, UK<br>All the messages are emotional, Fondation pernod ricard, Paris<br>CORPS, Espace Culturel Fran\u00e7ois Mitterand, P\u00e9rigueux, FR<br>When I state That I am an Anarchist, Museum Modern Art Warsaw<br>Permanent collection display, Tate Britain, London, UK<br><br><\/p>\n\n\n\n<p><strong>2023<\/strong><br>*Artist-in-residence Villa Albertine, Chicago, USA*<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">solo presentations<br><\/span>The Purple Chamber<span style=\"text-decoration: underline;\">,<\/span> Fondazione Arnaldo Pomodoro, Milan, IT<br>Ancestral Musing, Goodman Gallery, London, UK<br>The Origin of Death, Lafayette Anticipations &amp; <br>Le Festival d&rsquo;Automne, Paris (performance)<br>S\u00e8nsa in collab. with Nkisi &amp; Ariel Efraim Ashbel, HAU, <br>Berlin, DE (performance)<br>The Origin of Death, Astrup Fearnley Museet, <br>Oslo, NO (performance)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">group shows<\/span><br>Permanent collection display, Tate Britain, London, UK<br>Shifted Realities, Galerie Rudolfinum, Prague CZ<br>I see no difference between a handshake and a poem, Mendes Wood Paris, FR<br>Soleil Triste : La biennale du Territoire, MO.CO, Montpellier, FR<br>De leur temps (7), Frac Grand-Large, Dunkerque, FR<br>Le lac inconnu, Fondation Bally, Lugano, CH<br>The Difficult Art of Taking a Walk, CCA Berlin, DE<br>Common Place, g39, Cardiff, UK<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>2022<\/strong><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">solo presentations<br><\/span>We took a sip from the devil&rsquo;s cup, Project Arts Centre, Dublin, IE<br>As The Days Move Into Nights, Diagonale, Montr\u00e9al (QC), CA<br>You &amp; I, Kunsthalle Bratislava, SK<br>A fire circle for a public hearing, High Line, <br>New York City, USA (performance)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">group shows<\/span><br>British Art Show 9, UK<br>Testament, Goldsmiths CCA, London, UK<br>Atlante Tempraneo, Fondazione Imago Mundi, Treviso, IT<br>Optical Alignment, MDT, Stockholm, SE (performance)<strong><br><\/strong>When I State That I am An Anarchist, PLATO Ostrava, CZ<br>Bang Bang, Mus\u00e9e Tinguely, Basel, CH (performance)<br>Temporary Atlas, MOSTYN, UK<br>Hypernuit, Frac Nouvelle-Aquitaine M\u00c9CA, Bordeaux, FR<strong><br><\/strong>Breaking Waters, CAC Cincinnati, USA<br>A different now is close enough to exhale on you, <br>Goodman Gallery, Johannesburg and Cape Town, ZA<\/p>\n\n\n\n<p><strong><br>2021<\/strong><\/p>\n\n\n\n<p>*Shortlisted Future Generation Art Prize 2021*<br><span style=\"text-decoration: underline;\"><br>solo&nbsp;presentations<\/span><br>Vanille Bleue, Goodman Gallery, Johannesburg, ZA<br>Taboo Durag, The Renaissance Society, Chicago, USA (performance)<br>Page Not Found, Den Haag, NL<br>Taboo Durag, The Roberts Art Institute &amp; Glasgow International, UK (performance)<br>The Mauve Hour, Sultana Summer Set, Arles, FR<br>S\u00e8nsa, Bourse de Commerce &#8211; Collection Pinault, Paris, FR (performance)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">group shows<\/span><br>Future Generation Art Prize 2021, PinchukArt Centre, Kyiv, UA<br>British Art Show 9, curated by <span class=\"st\">Irene Aristiz\u00e1bal and Hammad Nasar<\/span><br>An apology, a pill, a ritual, a resistance, Remai Modern, Saskatoon, CA<br>Claro del Bosque, Intersticio, Madrid, SP<br>(in)Visible,&nbsp;Malm\u00f6 Konstmuseum, SE<br>Songs to the Suns, Cabaret Voltaire x Monte Verit\u00e0, Ascona, CH<br>Afterness, Artangel London, UK<br><span style=\"text-decoration: underline;\"><br><\/span><strong>2020<\/strong><\/p>\n\n\n\n<p>*PACT Zollverein Guest Fellowship 2020-2021*<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">group shows<\/span><br>Crystal Clear, Pera Museum, Istanbul, TU<br>La vie des tables, Cr\u00e9dac, Ivry-sur-Seine, FR<br>Yesn&rsquo;t, Galerie Sultana, Paris, FR<br>Miami Art Basel, Galerie Sultana<br>I Like Them, They&rsquo;re Nice, Nir Altman gallery, Munich, DE<br>La pleine lune dort la nuit, Mus\u00e9e d&rsquo;art contemporain de Rochechouart, FR<br><a href=\"http:\/\/recesspresents.art\/\">ACE Open x Recess Presents<\/a>, AU (online)<br>La Clinique du Queer, cur. Thomas Conchou, Maison Populaire, Montreuil, FR<br>The Spectral Forest, Nida Art Colony, Nida, LT<br>Poss\u00e9d\u00e9.e.s, MO.CO, Montpellier, FR<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">In print<\/span><br>The year I stopped making art, UK\/FR\/MX\/IT\/CA\/PL\/USA<br>\u00c0 tes eaux de nouveau, X-TRA Magazine, USA<br>SDUK 07: Tilting 1, Blackwood Gallery, CA<br><a href=\"https:\/\/nothinggentlewillremain.rca.ac.uk\/\">Nothing Gentle Will Remain<\/a>, RCA Curating x OSE, London\/Margate, UK (online)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>2019<\/strong><\/p>\n\n\n\n<p>*Shortlisted for the 2019 Fondation Pernod Ricard Prize*<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">solo shows<\/span><br>A fire circle for a public hearing, Vleeshal, Middelburg, NL<br>OOLOI,&nbsp;Triangle France, Marseille, FR<br>Diable blanc, Galerie Sultana, Paris, FR<br>Levant, Ludlow38, NYC<br>S\u00e8nsa, in collab. with Nkisi and Ariel Efraim Ashbel, Performa 19, Abrons Arts Center, NYC<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">group shows and performances<\/span><span style=\"text-decoration: underline;\"><br><\/span>Meetings on Art, performance program of the 58th Venice Biennale, IT<br>Transcorporealities, cur. Leonie Radine, Museum Ludwig, Cologne, DE<br>Le fil d&rsquo;alerte,&nbsp;Fondation d&rsquo;entreprise Ricard, Paris, FR<br>5th Block Universe Festival, London<br>The Distance is Nowhere, ICA Miami, Miami (performance in collab. with Sophie Mallett)<br>Get Up, Stand Up, cur. Zak Ov\u00e9 + Ceri Hand, Somerset House, London, UK<br>Elements of Vogue, Museo del Chopo, Mexico, MX<br>Soft Architectures, GOODMAN Gallery, Cape Town, SA<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>2018<\/strong><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">solo shows<\/span><br>A fire circle for a public hearing, Chisenhale Gallery, London, UK<br>Letter to a Barn Owl, Kevin Space, Vienna, AT<br>Dans l&rsquo;\u00e9ther, l\u00e0, ou l&rsquo;eau, 6th Biennale de Rennes, Galerie Art &amp; Essai, FR<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">group shows and performances<\/span><br>Manifest 12: Interspecies Public Programme, Palermo, IT<br>Move, Centre Pompidou, Paris, FR<br>Baltic Triennial 13: Give Up the Ghost, Tallinn Art Hall<span style=\"text-decoration: underline;\">,<\/span> EE<br>Le centre ne peut tenir, Lafayette Anticipations, Paris, FR<span style=\"text-decoration: underline;\"><br><\/span>Kunstenfestivaldesarts, Charleroi Danse, Brussels, BE<span style=\"text-decoration: underline;\"><br><\/span>Body Ecologies, Fluent at Centro Bot\u00edn, Santander, SP<br>Repeats (figures &amp; infrastructures), Sixty Eight Institute, Copenhagen, DE<br>SHIFT, like the end and the way, Royal College of Art, London, UK<br>6th Biennale de Rennes, FR<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>2017<\/strong><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">solo shows<\/span><br>Acqua Alta, Galerie Sultana, Paris, FR<br>What Flows Through and Across, Assembly Point, London, UK<br>In Me Everything is Already Flowing, Center, Berlin, DE<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">group shows and performances<\/span><br>Ten Days Six Nights, cur. Catherine Wood and Andrea Lissoni, Tate Modern, UK<br>Diaspora Pavilion, cur. David A. Bailey, during 57th Venice Biennale, IT<br>artist-in-residence, Palais de Tokyo, Paris, FR<br>Frieze London, Galerie Sultana, London, UK<br>Elements of Vogue, cur. Sabel Gavaldon + Manuel Segade, CA2M, Madrid, SP<br>(X) A&nbsp;Fantasy, David Roberts Art Foundation, London, UK<br>Scamming, Plazzo Lancia, Turin, IT<br>Partitions Performances, Fondation Ricard, Paris, FR<br>A Gesture Towards Transformation, Tenderpixel, London, UK<br>Klub Fiesta, Plato, Ostrava, CZ<br>Posthuman Complicities, Akademie der K\u00fcnste, Vienna, AT<br>La Pens\u00e9e du Tremblement, cur. Diam\u00e8tre, YGREC, Paris, FR<br>Opaque Poetics, Music Festival cur. Nkisi, <br>Wysing Arts Centre, Cambridge, UK<br>The problem with having a body \/ is that it always needs <br>to be somewhere, The Approach, London, UK<br>Habits of Care, cur. Helena Reckitt, Blackwood Gallery, Toronto, CA<\/p>\n\n\n\n<p><strong>2016<\/strong><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">solo shows<br><\/span>I Lost Track of the Swarm, South London Gallery, London, UK<br>Green Ray Turns Out To Be Mauve, Green Ray, London, UK<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">group shows and performances<br><\/span>No Ordinary Love, Sultana Gallery, Paris, FR<br>Paul Maheke: Unwritten Handbook, The Serpentine Galleries, London, UK (artist talk)<br>Ways of Living, cur. Arcadia Missa + @ Gaybar, David Roberts Art Foundation, London, UK (performance)<br>High Arousal, cur. Jonathan P. Watts, hosted at Union Pacific, London, UK<br>Hypersea, in collab. with Sophie Mallett, Turner Contemporary, Margate, UK (performance)<br>As Far As You Are Unconcerned, cur. Brenda Guesnet, The Showroom, London, UK (performance)<br>slope-tend-big, invit. Mathew Parkin, Grand Union, Birmingham, UK<br>And Then We Came, cur. W. Giovanni Gonzales, The White Cubicle (duo show w\/ Vika Kirchenbauer)<br>Lock Eyes and Bare with Me, invit. Bedfellows, Tate Modern, London, UK (performance)<br>Festival de l&rsquo;Inattention, cur. Sophie Lapalu, Glassbox, Paris, FR<br>I Would Have Done Everything for You\/Gimme More, cur. C\u00e9dric Fauq, London, UK<br>Tableaux: a season of screenings&nbsp;and performances, Assembly Point, London, UK<br>HOWDY CHICAGO, cur. Filip Zezovski Lind + Joss Heierli, Royal College of Art Shuttle, London, UK<br>SQUAD, night of performance,&nbsp;cur. Paul Maheke+Nkisi+C\u00e9dric Fauq, South London Gallery, London, UK<br>A Gesture Towards Transformation,&nbsp;The&nbsp;Rebel Man Standard Festival, London, UK (performance)<\/p>\n\n\n\n<p><strong>2015<\/strong><br>Ruptures in Places, cur. Katy Orkisz, Association of British Insurers, London, UK<br>Agenda Salad, Open School East finale week, London, UK<br>A Night with Nkisi, a listening session\/talk with Nkisi (<a href=\"https:\/\/soundcloud.com\/non-records-1\">NON Worldwide<\/a>)&nbsp;about resisting power relationships&nbsp;operating at the intersection of class, race and gender in the music industry, Open School East, London, UK<br>Artist talk <a href=\"https:\/\/vimeo.com\/140422679\">Dissections: Yinka Shonibare<\/a>, DHC\/ART, Montreal (QC), Canada<br><a href=\"https:\/\/vimeo.com\/140560161\">Resistance Is In The Cracks: a circular talk with Fannie Sosa<\/a>, Open School East, London, UK<br>Residency&nbsp;with Open School East Associates, CAST, Helston, UK<br>ODRADEK, Les Instants Chavir\u00e9s, cur. Mikaela Assolent + Flora Katz, Montreuil, France<br>Beyond Beyonc\u00e9: Use it like a bumper! a public conversation about Black feminism and Hip-Hop cultures, Open School East, London, UK<br>Moving-Up, commissioned by The Serpentine Galleries, London, UK<br>Artist-in-residence at Fonderie Darling in duo with <a href=\"http:\/\/cargocollective.com\/alicedidierchampagne\/\">Alice Didier Champagne<\/a>, Montreal (QC), Canada<br>Parti(e) du Paysage, cur. Simon Cau, Simon Cau Gallery hosted by 60th Salon de Montrouge, France<br>Artist talk&nbsp;Proposal to form a group of domestic poets, Le 116, Montreuil, France<\/p>\n\n\n\n<p><strong>2014<\/strong><br>Re-former le monde visible, Le 116, cur. Marl\u00e8ne Rigler, Montreuil, France<br>Festival of minimal actions, cur. Thomas Geiger, Bruxelles, Belgique<br>Paysage Sauvage \/ Wilderness, Les Banquets du Ch\u00e2teau,&nbsp;cur. Marianne Lanav\u00e8re, Centre International d&rsquo;Art et du Paysage &#8211; \u00cele de Vassivi\u00e8re, France<br>59th Salon de Montrouge, France<\/p>\n\n\n\n<p><strong>2013<\/strong><br>VIVA!, Centre CLARK, Montreal, Quebec<br>Si nous continuons \u00e0 nous parler le m\u00eame langage, nous allons reproduire la m\u00eame histoire, Le Commissariat, Treize, cur. Mikaela Assolent + Flora Katz, Paris, France<br>Videoakt, French Institute, Barcelona, Spain<br>Supermarket 2013, LMDP crew, Kulturhuset, Stockholm, Sweden<\/p>\n\n\n\n<p><strong>2012<\/strong><br>\u00abPratiques Furtives\u00bb : fragments d\u2019une enqu\u00eate, cur. Patrice Loubier, Skol art center, Montreal, Quebec<\/p>\n\n\n\n<p><strong>2011<\/strong><br>Domaine Public&nbsp; with Ultralocal, Pornichet, Loire-Atlantique, France<br>Mille Feuillets, La Vitrine, Drawing Now Paris I, Paris, France<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Residencies<br><\/h2>\n\n\n\n<p>VILLA MEDICI, Rome, 2025-2026<br>Amant, New York, 2026 <br>Villa Albertine, Chicago, 2023<br>Acme Fire Station, London, 2020-2021<br>Nida Art Colony, Lithuania, 2019<br>Davidoff Arts Initiative, the Dominican Republic, 2018<br>Palais de Tokyo, Paris, FR, 2017<br>South London Gallery, UK, 2015 &#8211; 2016<br>TeachBack!, ImPulsTanz, Vienna, AT<br>Fonderie Darling, Montreal (QC), Canada, 2015<br>Gateway Academy, commissioned by The Serpentine Galleries, London, UK, 2015<br>Centre International d&rsquo;Art et du Paysage, Vassivi\u00e8re, France, 2014<br>R\u00e9sidence de la Ville de Montrouge, France, 2014<br>Homsession, Barcelona, Spain, 2012<br>Villa Pan, Hors les Murs programme, French Institute, Suzhou, China, 2010<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Education<\/h2>\n\n\n\n<p>Open School East, London, UK, 2015<br>DNSEP (Masters program art practice) \u2014 \u00c9cole nationale sup\u00e9rieure d&rsquo;arts de Cergy, 2011<br>DNAP (B.A art practice) &nbsp;\u2014 \u00c9cole nationale sup\u00e9rieure d&rsquo;arts de Cergy, 2009<br>DMA gravure taille-douce (B.A etching)\u2014 \u00c9cole Estienne, Paris, 2007<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Public collections<\/h2>\n\n\n\n<p>Tate, UK<br>CNAP, FR<br>Art Council Collection, UK<br>Liverpool Walker Gallery, UK<br>Frac Grand Large, Nord-Pas-de-Calais, FR<br>Frac Nouvelle Aquitaine &#8211; M\u00e9ca, FR<br>Neues Museum N\u00fcrnberg, DE<br>DeMontford University collection, GB<br>Fond d&rsquo;Art Contemporain &#8211; Ville de Paris, FR<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Grants<\/h2>\n\n\n\n<p>Thinking Time, 2020<br>Grants for the Arts, British Art Council, 2019<br>FNAGP, 2018<br>Fluxus Fund, 2015 &#8211; 2017<br>Ministry of Culture, ADAGP, City of Montrouge for Salon de Montrouge, 2014<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Presse and publications<\/h2>\n\n\n\n<p>Elevated, Phaidon, 2024<br>All the messages are emotional, fondation pernod ricard, 2024<br>Roven 17, 2023<br>Prime, Phaidon, 2022<br>British Art Show 9 catalogue, 2021<br>Fotograf #39, July 2021<br>Artforum, D\u00e9c. 2021<br>Balcony Journal, 2021<br>Wallpaper*, 2021<br>Poss\u00e9d\u00e9.e.s, MO.CO, 2020<br>Elements of Vogue, CA2M, 2020<br>Transcorporealities, Museum Ludwig, 2020<br>Klima, issue 03<br>Limbo, issue 01<br>Num\u00e9ro, Sept. 2020<br>Wallpaper*, Sept. 2020<br>Frieze magazine, issue 213, Sept. 2020<br>X-TRA, Spring 2020<br>Art and Queer Culture, Phaidon, 2019<br>Flash Art, Fall 2019<br>Numero Art, Fall 2019<br>M &#8211; Le Monde, September 2019<br>Revue 02, Summer 2019<br>Performance in Contemporary Art, Tate Publishing, 2018<br>Artforum, April 2018<br>Mousse Magazine, April-May 2018<br>Kaleidoscope, April 2018<br>Revue 02, Summer 2017<br>Artpress n\u00b0446, 2017<br>The Perfect School, The Serpentine Galleries, 2017<br>Agent Double #2, 2016<br>D&rsquo;un abandon \u00e0 l&rsquo;autre, text by Paul Maheke, Inter Art Actuel, Presse du R\u00e9el, 2015<br>Manuel Fanzine, Parade, 2015<br>Le Quotidien de l&rsquo;Art, n\u00b0678, text by C\u00e9dric Aurelle, 2014<br>59th Salon de Montrouge, exhibition catalogue, text by Daniel Bosser, 2014<br>Arts Magazine n\u00b087, feature by Fran\u00e7ois Quintin, Paris, France, 2014<br>We can&rsquo;t wait for better times, Barcelona, Spain 2013<br>Manuel #3, Glassbox, Paris, France, 2013<br>Remedy Paper, Brussel, Belgium, 2012<br>Speak Word le Journal de la Triennale #3, groupe LMDP, editor in chief Abdellah Karroum, Paris, France, 2012<br>Les artistes en leur monde III, Marie-Paule N\u00e8gre, 2012<br>Drawing Now Paris I catalogue, 2011<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">&nbsp;<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">&nbsp;<\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Paul Maheke (1985, Brive-la-Gaillarde, France)represented by Galerie Sultana __ 2026 solo presentationsPaul Maheke: The rise, Horst, Vilvoorde, BE group showsHERE, Smithsonian National Museum Of African Art, Washington (DC), USATo be is to be in relation, fondazione giuliani, Roma, ITConversation pieces XI, Fondazione memmo, Roma, ITPleasing the spirits, mus\u00e9e barbier-mueller, geneva, chLe Nouveau printemps : danses [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-432","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P4E7Fe-6Y","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/pages\/432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/comments?post=432"}],"version-history":[{"count":429,"href":"https:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/pages\/432\/revisions"}],"predecessor-version":[{"id":3930,"href":"https:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/pages\/432\/revisions\/3930"}],"wp:attachment":[{"href":"https:\/\/paulmaheke.com\/projets\/wp-json\/wp\/v2\/media?parent=432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}