Text by Alice Bucknell (Mousse Magazine) – Paul Maheke

PAUL MAHEKE

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In-convo w/ Emma Bigé & Jérôme mauche
In-convo w/ Louis Chude-Sokei
In-convo w/ Paul Goodwin
Interview Arte TV
Interview Chisenhale Gallery
Interview Goodman Gallery
Interview Mercer Union
Text by Alice Bucknell (Mousse Magazine)
Text by Cédric Aurelle (Quotidien de l’Art)
Text by Cédric Fauq (Numéro)
Text by Charlotte dos Santos (C.A.S)
Text by Ciarán Finlayson (Artforum)
Text by Clem de Pressigny (i-D Magazine)
Text by Cory Scozzari (Baltic Triennial XIII)
Text by Daniel Bosser (Salon de Montrouge)
Text by Eliel Jones (MO.CO, Montpellier)
Text by Fabien Maltais-Bayda (ASAP Journal)
Text by Faye Campbell (Berlin Art Link)
Text by François Quintin (Art Magazine)
Text by Human Poney (AQNB)
Text by Ingrid Luquet-Gad (Revue 02)
Text by Natasha Marie Llorens (Art-Agenda)
Text by Ned Carter Miles (Contemporary&)
Text by Roxana Azimi (Le Monde)
Text by The White Pube
Text by Tom Hastings (Mineral Matters)
Text by Nikita Keogotsitse
The year I stopped making art (Paul Maheke)

Paul Maheke_Mousse_63-1

interview conducted by Alice Bucknell for Mousse Magazine, #63 (Spring 2018)

read online: http://moussemagazine.it/

◀ Text by Ingrid Luquet-Gad (Revue 02)

▶ Text by Human Poney (AQNB)

In Spite of my own desire to see you disappear
25th Fondation Pernod ricard Prize
To Be Blindly Hopeful, Mostyn
Levant, Tate Modern, London
The Purple Chamber at Fondazione Arnaldo Pomodoro x ICA Milano, Milan
The Orbs Sang Notes of the Heavens at MO.CO, Montpellier
Ancestral Musing, Goodman Gallery, London
The Origin of Death
YOU & I, Galerie Rudolfinum, Prague
Project Arts Centre, Dublin
YOU & I at Kunsthalle Bratislava
As The Days Move Into Nights
Unresolved Shadows and Reflections, CAC Cincinnati
A fire circle for a public hearing, High Line, NYC
British Art Show 9
The Seventy Deadly Sins
Fiac 2021
The Orbs Sang Notes of the Heaven
Mauve, Jim and John
Taboo Durag, 2021
The Mauve Hour, Arles
Vanille Bleue – at Goodman Gallery, Johannesburg
Possédé.e.s at MO.CO, Montpellier
The Spectral Forest, Nida Art Colony
YESN’T at Galerie Sultana
Nothing Gentle Will Remain
A fire circle for a public hearing – chapter 1
Transcorporealities, Museum Ludwig
La pleine lune dort la nuit, Musée de Rochechouart
The year I stopped making art
Levant
21st Fondation Ricard Prize
The Distance is Nowhere at ICA Miami
Sènsa
OOLOI, Triangle France
Meeting on Arts at the 58th Venice Biennale
Diable blanc / White devil
A fire circle for a public hearing, Vleeshal
Manifesta 12, Palermo
Baltic Triennial XIII
Dans l’éther, là, ou l’eau — 6e Biennale de Rennes
Letter to a Barn Owl, Kevin Space, Vienna
A familiar familial place of confusion
The Distance is Nowhere
Levant, Ludlow38 – Goethe Institut New York
Seeking After the Fully Grown Dancer *deep within*
A fire circle for a public hearing, Chisenhale Gallery
A Familiar Familial Place of Confusion
Frieze London, 2017
(X) A Fantasy, David Roberts Art Foundation
Diaspora Pavilion, Venice
Acqua Alta
One in Three
Mbu
What Flows Through and Across
In Me Everything is Already Flowing
As Far As You Are Unconcerned
Lock Eyes and Bear with Me
SQUAD #1
A Gesture Towards Transformation
I Lost Track of the Swarm
Mutual Survival, Lorde’s Manifesto
Ask For Trouble
Paysage Sauvage – Vassivière
Tropicalité, l’île et l’exote
Dévoiler le fantôme / Unveiling the ghost
Knowing less about our own situation
Les étendards, swaying bodies